Posts

Isabelle Demers Scores in Second Monday Night Organ Pavilion Concert at This Year's Summer Festival

by Mark Gabrish Conlan • Copyright © 2026 by Mark Gabrish Conlan • All rights reserved Last night (Monday, July 20) my husband Charles and I went to the Spreckels Organ Pavilion in Balboa Park for the second in the nine concerts (down from the previous years’ 12 to 13) of this year’s 38th annual International Summer Organ Festival. The organist was Isabelle Demers, who was born in Lachine, Québec, Canada. She’s gone back and forth between her native country and the U.S. and she’s played at the Spreckels at least twice before, during one of which concerts I bought her CD The New and the Old . Demers began her concert with Bach’s Prelude and Fugue in C, BWV 547, and then performed an interesting curio: four of the 15 Two-Part Inventions as composed by Bach and re-composed by Max Reger (1873-1916). Oddly, she didn’t seem to be that enamored of these pieces; she joked about how Reger had transferred the left-hand parts of Bach’s originals for harpsichord to the foot pedals of the organ ...
Post a Comment
Read more

"Woody Guthrie at 100!": PBS's Truncated Showing of a 10th Birthday Concert Celebrating America's Great Topical Folksinger

by Mark Gabrish Conlan • Copyright © 2026 by Mark Gabrish Conlan • All rights reserved Last night (Saturday, July 18) KPBS aired a tribute show to singer Woody Guthrie called Woody Guthrie at 100! , filmed at a concert at the John F. Kennedy Memorial Center for the Performing Arts on October 14, 2012 (though Guthrie’s actual birthdate was July 14, 1912). This was before the Kennedy Center was traduced and forced, at least for a while, to bear the name of another President, a man Woody Guthrie would have hated – especially since Guthrie’s path actually crossed that of Donald Trump’s notoriously racist father, Fred Trump. In the early 1950’s Guthrie moved into a building owned by Fred Trump, only to learn that Trump’s company had a systematic and out-front policy of not renting to Black people. As a matter of principle, Guthrie not only moved out of Trump’s building but wrote an extra verse to his song “I Ain’t Got No Home” explicitly denouncing Fred Trump’s racism. The concert provide...
Post a Comment
Read more

Patty Griffin Delivers Impassioned Performances of Her Americana Songs on a 2007 "Live at the Artists' Den" Show She Considered Good Enough to Release

by Mark Gabrish Conlan • Copyright © 2026 by Mark Gabrish Conlan • All rights reserved After watching the film noir Moonrise on Turner Classic Movies on Friday, June 26, I waited almost an hour during which my husband Charles came home from work and I put on a PBS music show called Live from the Artists’ Den featuring singer-songwriter Patty Griffin. The show was copyrighted 2007 even though the series didn’t start airing on PBS stations until the following year. Griffin liked the show enough that she released it as a live CD in 2008, and it was quite impressive even though I tend to get Patty Griffin confused with the more country-style artist Kathy Griffin. Patty Griffin is a highly talented singer-songwriter who’s flirted with a wide range of styles, from traditional gospel to “Americana” to the kind of women’s folk music exemplified in the 1970’s by the late Laura Nyro and the still-living Carole King. Since Live from the Artists’ Den, unlike Live at the Belly Up or The Kate...
Post a Comment
Read more

David Marsh Plays Charming "Great American Songbook" Program at Organ Pavilion June 21

by Mark Gabrish Conlan • Copyright © 2026 by Mark Gabrish Conlan • All rights reserved This afternoon (Sunday, June 21) at their regular 2 p.m. Sunday concert the Spreckels Organ Society featured a guest organist, David Marsh, who’s also a piano player and bills himself as a jazz musician as well as a theatre organist. His program promised “Popular Music from the Great American Songbook,” which made me think he was going to play exclusively songs from the 1920’s, 1930’s, and 1940’s. He did some of that material but he also played newer songs; he opened with “That’s Entertainment!,” composed by Arthur Schwartz with lyrics by Howard Dietz for interpolation into the 1953 musical film The Band Wagon . (The movie was nominally based on a 1930 revue by Schwartz and Dietz, but the 1953 film added a backstage-musical plot and had little in common with the stage version except a few of the songs and the male lead, Fred Astaire.) Then he played more recent songs from Disney films: Alan Menken...
Post a Comment
Read more

Four Young Musicians Showcased at the Organ Pavilion June 14 Show the Future of the Organ Is In Good Hands

by Mark Gabrish Conlan • Copyright © 2026 by Mark Gabrish Conlan • All rights reserved Yesterday (Sunday, June 14) I wanted to go to the San Diego Organ Pavilion to hear the weekly Sunday afternoon concert, which as things turned out was unexpectedly interesting. First, the main organist was Alison Luedecke instead of Raúl Prieto Ramírez (a capable musician but one with an incredibly annoying stage presence). Second, it was one of the concerts designed to showcase up-and-coming organists still in their teens or even younger: nine-year-old Misaki Enomoto, 15-year-old Elle Lester, 15-year-old Elijah “Eli” Prada, and 16-year-old Aska Enomoto. All the young players are students of local organ teacher Leslie Wolf Robb, who was there to introduce them. Misaki Enomoto played two brief pieces, “Toccatina” by David Schack (b. 1947) and “The Chase” by John G. Barr (1938-2024). The others each played one piece by Johann Sebastian Bach and one piece by a more recent composer. Elle Lester’s Bach ...
2 comments
Read more

I Just Got Back from a Very Lovely Mother's Day Concert at the Organ Pavilion in Balboa Park!

by Mark Gabrish Conlan • Copyright © 2026 by Mark Gabrish Conlan • All rights reserved This afternoon (Sunday, May 10) I went alone to the regular Sunday afternoon organ concert at the Organ Pavilion in Balboa Park. I wanted to get back in touch with the Spreckels Organ Society (I re-upped the membership for my husband Charles and I) and also I figured that, even though the organist was the regular one, Raúl Prieto Ramírez, whose appalling stage antics I can’t stand, he was having a guest artist, singer Sarah-Nicole Carter, and usually the presence of another person on the program puts Raúl on his best behavior. It was actually quite a nice concert featuring Raúl playing three pieces solo following his obligatory opening sing-along of John Stafford Smith’s “To Anacreon in Heaven,” a.k.a. “The Star-Spangled Banner.” (It was originally an Oxford University drinking song and Charles, perhaps inspired by the anecdote I told him about how the Anglophile H. P. Lovecraft, one of the few New...
Post a Comment
Read more

Tchneriakov's "Götterdämmerung": His Fourth and Final Desecration of Wagner's "Ring"

by Mark Gabrish Conlan • Copyright © 2026 by Mark Gabrish Conlan • All rights reserved Last night (Monday, May 4) my husband Charles and I watched Wagner’s Götterdämmerung , fourth installment in the tetralogy Der Ring des Nibelungen (“The Ring of the Nibelung”), in a frustrating staging by the Berlin Oper Under den Linden (the last part of the name refers to its location, and during the split of Germany between 1947 and 1990 it was in East Berlin) conducted by Christian Thielemann (after the original conductor, Daniel Barenboim, withdrew for health reasons – he is in his 80’s, after all!) and directed by Dmitri Tcherniakov. Dmitri Tcherniakov is a youngish (born 1970, which would make him 55) Russian stage director with a terrible reputation for making hash out of great operas. Among his problems as an opera director are an aversion to supernatural plot elements (which makes me wonder whose idea it was to have him direct Wagner’s Ring , which is full of supernatural plot element...
Post a Comment
Read more